John Clive
4 Films
John Clive
4 Included Films
Director: Peter Collinson
Britain Paramount 4K Blu-ray or Kino Lorber 4K Blu-ray (preference)
Britain Paramount 4K Blu-ray has good colours, but worse encode and no mono track. Kino Lorber 4K Blu-ray has bad colours but better encode and mono track.
2002 R2 Paramount DVD/2009 Paramount Blu-ray/2023 Kino Lorber 4K Blu-ray
Director: Peter Collinson
Britain Paramount 4K Blu-ray or Kino Lorber 4K Blu-ray (preference)
Britain Paramount 4K Blu-ray has good colours, but worse encode and no mono track. Kino Lorber 4K Blu-ray has bad colours but better encode and mono track.
2002 R2 Paramount DVD/2009 Paramount Blu-ray/2023 Kino Lorber 4K Blu-ray
Director: Stanley Kubrick
WB 4K 5.1: remix but higher fidelity https://blah-ray.blogspot.com/2021/09/a-clockwork-orange-1971.html
Mono: 4K Blu-ray/1999 DVD
Director: Stanley Kubrick
WB 4K 5.1: remix but higher fidelity https://blah-ray.blogspot.com/2021/09/a-clockwork-orange-1971.html
Mono: 4K Blu-ray/1999 DVD
The original mono mix has bad pitch and sound quality issues on the Shout Factory Blu-ray and is terrible sounding. The LaserDisc PCM mono is very good but sounds a tad muffled in comparison to the MGM 2004 DVD mono at first listen. Yet the DVD mono has the volume of the entire track normalized so that effects and music remain at consistent levels which they don't in the LaserDisc mono-meaning that the jokes and gags hit harder in the LaserDisc mono because the mix varies as it was intended. It may be that the same source was used and then EQ'd and processed for the DVD boxset as all the mono mixes were messed around with. For example, when the hunchback disguise goes off with the explosions, the DVD mono has everything at a mostly consistent level. On the LaserDisc the effects build and fall off in loudness so the intensity is entirely different because they were mixed that way for comedic effect. Another is the piano smashing-on the DVD mono it's at the same level as the rest of the scene. On the LaserDisc it's loud and aggressively so which again makes the gag hit so much harder.Again, the remixes are existing MGM ones and not good. The 5.1 remix on the Shout Factory Blu-ray does not have pitch issues but the stereo remix does.
The original mono mix has bad pitch and sound quality issues on the Shout Factory Blu-ray and is terrible sounding. The LaserDisc PCM mono is very good but sounds a tad muffled in comparison to the MGM 2004 DVD mono at first listen. Yet the DVD mono has the volume of the entire track normalized so that effects and music remain at consistent levels which they don't in the LaserDisc mono-meaning that the jokes and gags hit harder in the LaserDisc mono because the mix varies as it was intended. It may be that the same source was used and then EQ'd and processed for the DVD boxset as all the mono mixes were messed around with. For example, when the hunchback disguise goes off with the explosions, the DVD mono has everything at a mostly consistent level. On the LaserDisc the effects build and fall off in loudness so the intensity is entirely different because they were mixed that way for comedic effect. Another is the piano smashing-on the DVD mono it's at the same level as the rest of the scene. On the LaserDisc it's loud and aggressively so which again makes the gag hit so much harder.Again, the remixes are existing MGM ones and not good. The 5.1 remix on the Shout Factory Blu-ray does not have pitch issues but the stereo remix does.
Kino Lorber 4K Blu-ray is from a new 4K master with some transfer issues, notably in the title sequence. The mono mix had errors and slight deletions introduced in the 2004 DVD remaster which were corrected on a 2006 DVD repressing. The Shout Factory Blu-ray uses the 2006 corrected mono but those sections sound added in and in lower quality. The Kino Lorber 4K Blu-ray reverts to the defective 2004 mono. All the DVD, Blu-ray and 4K Blu-ray mono mixes sound poor when compared to the untouched uncut MGM LaserDisc mono PCM mix which is a direct perfect transfer and sounds excellent.
Kino Lorber 4K Blu-ray is from a new 4K master with some transfer issues, notably in the title sequence. The mono mix had errors and slight deletions introduced in the 2004 DVD remaster which were corrected on a 2006 DVD repressing. The Shout Factory Blu-ray uses the 2006 corrected mono but those sections sound added in and in lower quality. The Kino Lorber 4K Blu-ray reverts to the defective 2004 mono. All the DVD, Blu-ray and 4K Blu-ray mono mixes sound poor when compared to the untouched uncut MGM LaserDisc mono PCM mix which is a direct perfect transfer and sounds excellent.
4 films